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Click here to jump to The Terry Cummings Web Site
Well, Its Mardi Gras so I jumped at the opportunity to go to New Orleans to cover Lenny Williams at the Treasure Chest
Casino for The Boogie Report. The Traffic during Mardi Gras is unreal it seamed like everyone in the entire state was on the road going to the parades.
Joe Pete "our driver" took every short cut he knew and we finally arrived at the Treasure Chest which is located in Kenner
at the end of Williams Street on the lake. . When we arrived "a little late" we noticed the show had already begun. Lionel Robinson was on stage with his rendition
of the old school sounds. We first met Lionel when he was the concert master for The Love Doctor. Lionel held the jammed pack
room spellbound with a montage of Classic Soul Hits from Percy Sledge's "When a man loves a woman, to" TheTemptations "My
Girl" and the O'Jays "Family Reunion." Lionel's performance filled the room with nonstop ovations. On to the introduction
of the band members on Bass the multitalented (cancer) Kenny Jones...from Washington State and on the Keyboard the amazing
style of (Virgo) Matt Vinson it's no surprise why from1993-1997 they were the band behind Lenny Williams, Dennis Edward's,
Jones Girls and Millie Jackson just to name a few...on Guitar Roy "Dollar Bill" Joseph, the newest member to the Lionel Robinson
band for 5 months with incredible beats was Mike Travis (Aries) as though the music didn't capture the audiences attention
enough Southern University graduate Tyrone Norwood's (Leo) magical fingers was the second half of the keyboard section, this
was real treat watching the two synchronize their talents, and last but surely not least a man who is no stranger to the world
of music Mr. Lionel Robinson (Leo) lead vocals, Robinson's, melodic sounds made you feel every note bring back memories that
you'd want to hold on to, the audience was receptive to his dazzling showmanship and outstanding performance. Lenny Williams, opens the show with "This Time It's Real" into "Midnight Girl" from the start Lenny reels the audience
in with classic hits, which included the old Hall & Oates anthem "Sarah Smile" this one brought the crowd to their feet.
When Lenny tapped into 1973 back in the Tower of Power days with a tune written by he and Johnny "Guitar" Watson "So Very
Hard To Go" the excitement filled the room, this hit had everybody singing and dancing, the hits kept coming with (William
DeVaughn) "Just Be Thankful" where even there was audience participation on the hook ladies versus the men YOU KNOW THE LADIES
TOOK THE FLOOR:) up next was an amazing blues medley with "Rock Me All Night Long" (BB King), "Night Time Is The Right Time"
and "Stoop Down Baby" Lenny touched on one of my favorite songs, which sold 16 million copies in 1986 a duet with Kenny G
featuring the sultry vocal sounds of Lenny Williams "Don't Make Me Wait For Love" into "Ooh Baby Baby" (Smokey Robinson) "Ain't
too Proud To Beg" (temptations), "I'll Be Around" and "Let's Do The Twist" (chubby checker) were among the final medley before
the last song of the evening, the song that everyone was waiting the Lenny Williams Anthem "Cause I Love You" brought lovers
together as he crooned this hit that will always be a favorite to all, The audience was so charged Lenny had to make two curtain
calls he left the crowd satisfied but still wanting more. Make sure to check out Lenny Williams new CD on Thump Records MY
WAY, and be sure to check out Lenny when he comes to a venue near you .You will be glad you did.Thank you Boogie I look forward
to my next assignment
Theodis Ealey Live at Studio 201
Lafayette Louisiana
The Theodis Ealey "Stand Up In It " Review swept into Lafayette La.
Friday night after hitting Lake Charles like a hurricane the night before. The Scene was the
luxurious Studio 201
One of the most spacious and modern venues in the South.
Tommy C of MAGIC 104.7 Welcomed the near capacity crowd and kept the pre show going smoothly
with lots of wit and Jammin Southern Soul Music.
![]() Veteran frontman Mack Davis opens up the show with style and class.Mack masterfully presents two cuts from his current Cd Big Dog gets the crowd to rockin Then its on to one of my favorites
the title Cut from the Better Man Cd Mack Closes his set with a new cut soon be released The Big Dog Slide which
gets the crowd out of their seats.Up next is Andre Lee
Andre Lee is one of the new crop of Southern Soul crooners.after paying his dues in the Sir
Charles Jones Family andre has ventured out on his on and is making a name for himself.
Andre opened up his set with a cut from his Cd
"Simply Dre" with Special Lady followed by Got To Get Away
then on into his Big hit Pony Ride where he is joined on stage by ladies from the audience
Doing The PONY RIDE. ![]() `All and all The pre show was exciting and entertaining but all through out the night the buzz
was brang on the Stand Up In It Man- Bring On Theodis Ealey. The crowd was not gonna
be disapointed cause immediately after the Andre's set.Mack
Davis was back onstage Bringing on the band. As always Mack Does a tremendous job
of getting the crowd ready for the star of the show . with the funkiest version of the blues standard "Lover Of
Mine "The StandUp In It band Shows That they are second to no band in the land The sound is bright and crisp the
rhythm section is tight as a fat girls girdle you cant help but notice the Reverned Linwood Cherry Whip those drums like they
stole something.Sistah BJ Miller on the Key Boards all IN The Mix that makes you wanna jump up and move somethin.Theodis
Ealeys Performance is the most energetic of any BLUESMAN that comes to mind.He jumps from genre to genre to let everybody
know that he is as comfortable jammin the Isley Brother"FIGHT THE POWER" as he is FUNKIN Jr. Parkers" DRIVIN WHEEL" Not
only does he glide smoothly from Rock To Soul to POP and Blues He Takes everybody in the club with him as he Play and
moves all over the club to the table to the bar Steady Jammin.First interlude Theodis gives us a brief history of how he got where he is he took us back to Sibley and Natchez
Mississippi Where He teased the crowd by offering to take them to the "HOLE IN THE WALL" not the Mel
Waiters Hole In the Wall But The Hole In The wall where he taunts and teases the audience with The Real Blues Riff reminding us of Johnny Lee Hooker That start low and grew and grew
and exploded into Jimmy Reeds "LET IT ROLL" OH YEAH THE YOUNGSTAS DUGIT TOO!!
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A completely sold out
crowd squeezed into the Sunday night for a
glimpse of royalty - blues royalty. Indeed, B.B. King,
the 78-year-old reigning king of the electric blues received a royal
welcome from some 1,300 adoring fans. But the legend quickly
proved song after song that he was no high and mighty aristocrat,
but a musical man of the people during his excellent
1-hour and 50-minute set. After The B.B. King
Blues Band warmed the crowd up with a couple of jazzy instrumentals,
the icon took a seat on his throne - center stage, front.
The diabetic septuagenarian
made no apologies for having to sit for his entire 13-song
performance saying, "I'm not 19 anymore. I'm old enough that
I can sit down if I want to." He then joked, "I've got bad knees, a bad
back and even a bad head - I can't remember anything!"
He couldn't have been
more wrong. He hadn't forgotten his irresistible charm,
jovial swagger, nuanced singing or bent guitar playing as he
opened his old-fashioned blues set with a rowdy performance of
"I'll Survive" quickly followed with "Bad Case of Love." Next, he tore into
the ballad "I Need You," a fine aching ballad off of his 2003 release
"Reflections." Though unable to get up and dance, King shook his
thing in his seat, spreading joy and humor to the entire
audience. Perhaps looking forward to his brief break in touring
before crossing the globe for a string of sets in grinning ear to ear
all evening. To the audience's delight,
King was sure to touch on most of his classics including
a fiercely entertaining rendition of his concert staple "Caldonia,"
and perfect performance of the traditional blues classic "I've
Got Mind to Give Up Living." Later, King teased
the crowd with a bit of "Nobody Loves Me But My Mother (And Even
She Might Be Jivin')" a track he wrote for his excellent 1970 release
"Indianola Mississippi Seeds" before leading into a delightful
take of his trademark "How Blue Can You Get?" King continued to thrill
the crowd with a wonderful performance of "Key to the Highway,"
Big Bill Broonzy's classic song of personal liberation,
and then enjoyed a fun call and response exchanged with the
audience on his own classic "Rock Me Baby." But of course, no King
concert would be complete without a performance of "The
Thrill is Gone," the one song (if you had to pick just one) most
often associated with the king of the blues. "I'm gonna do this
'til I die, folks," assured King. Listening to his terrific
set closing performance of, "I Know You Don't Love Me Anymore"
from his 2000 Release "Makin' Love Is Good for You," one
can only hope that he'll be around for a long, long time.
MEL WAITERS at THE ATRIUM
If you weren't at the ATRIUM Friday nite, you missed a fantastic
show ... MEL WAITERS was at his BEST!!! (I saw him at both Huntsville and Columbus last month). Although the weather may account for the low attendance, you missed a GREAT performance by MEL WAITERS and his REVUE. The fact that he wasn't a part of a festival line-up and restricted to performing only a few songs, he had time to mingle in the audience and made you feel he was genuine and wanted everyone to enjoy the show. He encouraged folk to get up (I think everybody was on their feet dancing on "Hole In The Wall" and "Got My Whiskey") and sing along with him. Mz Mary (his sister/background singer)stepped out and performed with the band on a couple of number. Joe and Mel did the dueling "old school/new school" segment. In my opinion there's no winner or loser because they are both FANTASTIC in their respective deliveries ... Joe has "Luther" for sure. I cannot forget to mention his "Inspirational" segment ... as is usual Mel Waiters sings "How I Made It" and reflects on his "Big Mama's" teachings about keeping GOD in his life ... I always love this part. I can agree with him when he say that although he sings R&B for a living he has JESUS all in his life and he proves that with his testimony. ..................................................................
The Downhome Blues Festival
by Ms Honey
I went to the 14th Annual Alabama Downhome Blues Festival on
Saturday, in Huntsville, Alabama. Although I'd heard about it and wanted to go for the last few years, I made up my mind this year to go even if I had to go by myself. I have to admit that I was a little hesitant about going alone, but I have to recognize that I'm SINGLE and I can't wait around on someone else to want to do what I want to do in order to have someone accompany me ... that's just my philosophy and I believe that "I can do all things thru CHRIST who strengthens me"... so I headed to HUNTSVILLE, AL alone. I met some wonderful folk, enjoyed a GREAT show and arrived at my next destination safely (I really don't like traveling on holiday weekends), which was the 1st Memorial Day Blues Festival in Columbus, GA (my hometown). The HUNTSVILLE Festival opened with a guy named T.J. Hooker who claims to be a son of Johnnie Taylor (I think there are about 6 of them out there). Yes he did perform JT's music and says he'll have a cd released soon. I wasn't impressed with his performance. Mz Pat Brown was next and she was GREAT ... I love several of her songs, "Two Week Notice", "99%", "Trapped", "Equal Opportunity" and her new cd, "New Tricks" appears to be worth purchasing. X-MAN was next and he's something else! Other than his performance of "CROWN" (and he should really be getting paid for that one ... black folk drink that stuff), he's a bit vulgar for me (and I consider myself very broadminded)! You wouldn't think that kids would be at the festival, but they were and certainly didn't need to see his act. I think promoters should make it clear that Blues Festivals are "FOR GROWN FOLKS". The Mel Waiter's Show was next. I say "Show" because in addition to Mel Waiters, his sister, Mz Mary and the other backup singer (don't know her name) and the horn player are talented performers. I always love when they do the inspirational segment and it speaks volumes to me that he's strong enough to include it as a part of his act ... major props to Mel Waiters (Did I mention that other folk are trying to imitate him; i.e. Willie Clayton and even Marvin Sease). Of course he did his "Hit It & Quit It", "Got My Whiskey" and the infamous "Hole in the Wall" YES, Mel Waiters is a favorite of mine ... I love the blonde hair!!! And while it's entertaining, the "battle of song" between Mel and the guy in the band is getting old ... It's ok for the young man to get some exposure, but I want to hear Mel perform some ballads. Willie Clayton was next and of course had a good performance, but ticked me off by saying his performance henged on the audience's enthuiaism because he'd already been paid and he could leave at any time. I thought that was in poor taste, even if he felt that way. It's his responsibility to make every performance his BEST because there just might be someone out there that hadn't heard of Willie Clayton before. I love his music ("I Love Me Some You", "Drowning In The Sea of Love", "Three People In My Bed") and own several of his cds, but didn't like his attitude, but then I usually have a problem with "short men" (hahaha). He also threaten to leave the stage because a guy was video taping him. By the time Marvin Sease came out, folk had left and I was ready to go because it was cold, but I did hear him do my favorite "Please Take Me", "Do You Qualify" and of course "Candylicker". It was an easy nite for him. Oh, the MCs (local djs) were very good, they were entertaining and creative with prize give-aways to keep things lively. I'll definitely be making plans to attend another year too. Big "UPS" to Mr. Lee Parker, who brings this festival each year. ------------------------------------------------
ON THE TOWN IN ATLANTA by Ms.Honey Lou
When you say it you're describing O.B. Buchana's intoductory
performance last Friday nite at the ATRIUM in Atlanta. I think that everyone who saw it will remember his name. It was his first time appearing in HOTLANTA, but I don't think it'll be his last! Initially I didn't feel it was a good idea to have him on the same show with the legendary Bobby 'Blue' Bland, but as it turned out he was GREAT, even Mr. Bland complimented him. He recognized the position he was in and he took the show to a whole new level. O.B. joked that he knew folk were surprised that he was a young man singing about such mature blues subjects. He had the folk up shouting O.B., O.B. after he left the stage. He did a cut from a soon to be released cd (1st of June), "Daddy, I Love You" which was very dramatical (I think he lost his father last year). In addition to my favorite, "I Can't Choose", he did "Backdoor Lover","I Got Caught", "The Booty Scoot", "It's Over" and "Love & Happiness" He literally brought the house down when he did "Let's Get Drunk" and was pouring Crown Royal in audience members cups (HAHAHA). He was I-N- C-R-E-D-I-B-L-E, EXUBERANT AND STIMULATING!!!I was so very proud of him. If I sound a little bias, most of you already know that I am because he's one of my babies (young Southern Soul men) (SMILE) Don't miss an opportunity to see him. Bobbie 'Blue' Bland was wonderful. He has an endless repertoire
and
he could perform for hours. However, he's been doing it so long that he has it timed to precisely an hour ... no one could say they were disappointed because except for his latest cd, he did a little old, old, a little not so long ago and some standards like "Members Only", St James Infirmary, "As Soon As The Weather Breaks", "Further On Up The Road", "Hurt Before You Heal", and "I Pity The Fool". And I could go on. He's getting older and if you have a chance to see him, by all means do BLUES IN THE ALLEY, UNDERGROUND ATLANTA
by Ms.Honey Lou I had the opportunity to check out this night spot the other weekend, compliments of "Deacon
Blues", FM 91.9, Saturday morning blues show host. The club is a very nice venue and would be a wonderful place to showcase
some of the HOT SOUTHERNSOUL
men/women! (Of course, myopinion).
The "Deacon" and his Holy Smoke Band are the entertainment
on Saturday nights. Initially I thought it was not a good night to be there (Atlanta Falcons were in the playoff against Green Bay and it was freezing outside); however, it was a greatexperience because it was like the band was playing to me; they played as if the place was packed (it was far from it!!!). And in between sets they blast good recorded blues. Atlanta's own blues artist Chick Willis has some kind of affiliation with the club, but he wasn't there that night. They offer a FREE Sunday afternoon 'Open Jam Session' from 5pm-9pm. Check it out when
you're in Atlanta.
Ms.Honey is Moderator of the down home Blues group at yahoo
Feel Free to check us out and join at:
![]() The Love Doctor In Columbus Georgia
by Sweetness
The Love Doctor really got the crowd going wild at the First Annual Memoral Day Festival in Columbus, Georgia.
The Love Doctor accompanied by the Chocolate Buttermilk Band out of Fayetteville, North Carolina performed
many songs off of his current CD. Everyone could feel the electricity in the air when he performed "Slow Rollin". There
was not a person left in their seat. I can truly say I enjoyed the concert very much and I left a true fan of the Love Doctor.
BB King In Birmingham
By Andrew
Tell everybody Andrew's back in town. I gotta dollar an' a quarter and
I'm raring to clown! But don't let nobody play me cheap I got I got fifty cents more than I'm gonna keep! First let me say there are only two Blues artists I ever wanted to see
in concert; Bobby "Blue" Bland and B.B. King. Well I've had the pleasure of seeing Bobby in concert twice and just last night I travelled to Birmingham, AL from Dallas (Georgia that is) to see B.B. in concert. You know the only thing that would or could be better than seeing either in concert is seeing them in concert together, more on that later. B.B. King proves to be the consummate performer. At the age of 77 he
still plays hard. He sat during the concert and even had comments about that, saying about half way though the show, "I know some of you out there thinking 'poor old B.B. done got too old to stand up and play' and to you I say you right. When you been around as long as he has (77 years old) you'd set down too." But Mr. King made it clear that he still liked to boogey and says he still shakes it, just not as hard because at his age something is liable to fall off! The show was held at the Alabama Theater in downtown Birmingham, it is
a magnificent facility, one that I paid no attention to when I lived there for two years. It was a packed house eventually, although when the show started there were a considerable number of seats open. I think most folks would just think it was a CPT issue, but it was not as the house was mostly our brethren that are lighter on melanin. The support by the Black community was sorta disappointing but the makeup of the audience just better reinforced the fact Blues transcends all social boundaries. B.B. King Blues Band opened the show with an excellent performance,
showcasing their vast talents. All were extremely talented but two stood out; the guitar player, who had some mad skills and cahonies of steel to play with The Undisputed King of the Blues. And my man was good, very good. The other person that caught my attention was the band's director and lead horn, he is called Boogaloo, cause he can, the man dances hard and if you are like me and are pleasingly plump, as he was, you know that is not an easy task. What was more striking about him is that he sorta resembled comedian Bruce Bruce, sure it was a matter of size. Since mentioned the lead horn man, I can tell you the guys are great, but they don't really hold a comparison to Bobby's horns. B.B. opened the show with "Let The Good Times Roll" hence my
opening. He sang many many familiar tunes that anybody could easily recognize as being his. At any rate it was a top notch show that one would think just couldn't be beat. I always figured it would be like drinking top shelf liquor to see him in concert and I can tell you it was even better than imagined. I don't think I stopped smiling until I had made the hour and half drive home. But you know there is one thing that would just make my year, seeing
Bobby and B.B. together in concert, well on Thursday, February 27th, at 8pm they will be appearing together in Greenville, SC at the Peace Center and guess who will be sitting in the audience? No not DJ Krip, even though he should have come and gone with me, but yours truly! I don't care if I ever attend another Blues concert because come Thursday night I will be content to have seen the two of if not the greatest Blues artist to have ever graced this earth. ........................................................................ ![]() Hi Boogie,
I am happy to hear Funky Larry is recouperating swiftly. He is da man behind the soul and blues report. Keep your chin up Larry we have placed prayers on the alter for you. In other news, Boogie, Papa Rock had a bang up anniversary party at the Bay City Blues Club in Pensacola. It was awesome.
In attendance were Robert "Smokehouse" Moore, Jeff Floyd and Lee Fields. Your elegant commedian and air personality for 98.3
WDLT FM, yours truly , Beverly McDowell served as emcee. The crowd was ready to party and laugh and we took the house.
Robert Henderson, Mike Austin, Alex Gavin were all there to wish Papa Rock well. If my memory serves me correctly Papa Rock
has been in the business of radio for about 47 years. And the old gent is still doing it and doing it well. Once again lets
all give Papa Rock a hand for hanging in there. Funky Larry Jones we await your return. See ya guys and dolls.
Beverly McDowell
98.3 WDLT FM Mobile ![]() Floyd Taylor and Marvin Sease in St Louis......
by Ms.Lee
I've been running back and forth, so it's been a while since I had a chance to attend a blues show. However, on
January 10, I went to see Marvin Sease and Floyd Taylor at Club 54 in St. Louis. This makes the third time I've seen
Floyd since September 2000. Where I first saw him in Dallas Texas. When he stepped out on the stage with the Taylor
Made band playing "Disco Lady" I had to do a double take, for a minute, I thought Johnnie was back. The next time I
saw Floyd was at The Ambassador in St. Louis, his act had a gospel flair. At Club 54 it became apparent that while Floyd
was Johnnie Taylor's son, he is definitely not Johnnie Taylor. something which Floyd seemed to have more problem with than
the audience. Club 54 is a BLUES CLUB. The patrons not only love the blues, but they know the blues. And
on January 10, 2003, Floyd Taylor was not the blues. Floyd was more concerned with people separating him from his father,
which was easy to do. Johnnie Taylor is missed, not only by his family, friends and fans. But also by the music
industry. His contribution to music goes deeper than many of us realized during his lifetime. We love him and
still love his music. Johnnie's fans were excited to see his son. Johnnie's fans were thrilled to see his son.
Johnnie's fans were there for his son. People bought Floyd Taylor's, Legacy CD, some because he was Johnnie's son and
some because it's a very very good CD. Legacy is giving Floyd Taylor his own fans, not only his father's, but his.
The material is good and that's what the people came to Club 54 on January 10, 2003, to hear. No one came to hear Floyd
Taylor give them a lecture of how they were there thinking about his father and not there for him. Well, many may have
come because of the Taylor name. But many also came because of the Legacy recording. Floyd Taylor needs to give
people a chance to respect him and enjoy his performance for him and not his heritage.
Marvin Sease came out and did what Marvin does best. MAKE THE PEOPLE HAPPY!!!! and, that just what he did.
Marvin Sease has a way of making the new sound good and the old sound better. He sang several songs from his new CD,
which many of the people sitting around me said they either already had or were going to purchase. Marvin let
the audience know that he is thankful to his fans and to JESUS for his career. It is a pleasure to see blues artists
remember where they came from and be aware of how fast they can go back there if they don't give thanks to the right people.
Marvin is a performer who can teach a lot to the young upcoming blues artists of today. When Marvin did his signature
song "Candy Licker," he rocked the house. No matter how many times he sings "Candy Licker," it sounds like the first
time. WE LOVE YOU MARVIN!!!
On Sunday, January 12, 2003, I attended the funeral of Ms. Lizzie Brown, the mother of Shirley Brown. This
was a small lady who had a tremendous impact on her daughter's career. It was apparent that JESUS was with Shirley
as she sang for her mother, with nothing but love. God is so good!! Ms. Lizzie will be missed not only by
her family but by her church family, friends, relatives and anyone who had an opportunity to meet her. I don't know
Shirley Brown, but anyone who ever met her mother knew, Ms. Lizzie is the real star, for now she truly is in "Soul Heaven"/
Take care Boogie, Ms. Lee
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